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“In those days,” he later said, “I would work for anybody who could afford me, regardless of their denominational affiliation, so long as they named the name of Christ.” Studio successĪs the church grew, Carmichael created increasingly sophisticated musical programs that required the skills of professional musicians. Despite his Pentecostal roots, he was ordained a Baptist minister. Two Christian record labels were starting in the Los Angeles area-Sacred Records and Alma Records-and both needed music arrangements.Ĭarmichael also joined the staff of Temple Baptist in Los Angeles. The television show earned an Emmy in 1951, and suddenly Carmichael was very busy.
A daughter, Carol Celeste, was born in 1949, but Carmichael’s professional obligations seemed to leave little time for his family. Soon they married, and for a time their musical relationship seemed ideal. The resulting show, The Campus Christian Hour, became a regional favorite.Īfter hearing Evangeline (Vangie) Otto sing on the radio in 1948, Carmichael tracked her down and they started dating. The music faculty tried to correct his “wrong” notes, but Carmichael persisted, and his 17-piece stage band began playing on a local television station. Within a few weeks he was organizing music groups to minister at local churches, a passion that soon overshadowed his studies.Ĭlassmates noticed his keen ear-he could write entire scores while sitting in the corner, away from the piano.
Immediately he noticed a different sound than conventional hymnal harmony-chords with flatted fifths and ninths, jazz progressions that he taught himself to play.Īt 17, he enrolled at Southern California Bible College (now Vanguard University), intending to become a preacher like his father and grandfather. Insatiably curious about music theory, he often listened to radio orchestras while sitting at the piano, picking out the notes they played. When his father took a church in San Jose, California, Ralph joined the local orchestra while still in high school.
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“I ask only for guidance to know how to use them in good taste to reach ‘now’ people with a message that never changes.” “I want neither credit nor blame for creating today’s musical forms,” he once told CT. When tributes poured in near the end of his life, many called Carmichael the “father of contemporary Christian music,” a title he sometimes shared with Christian rocker Larry Norman, despite their obvious differences in style.Ĭarmichael, for his part, didn’t buy into honorific titles or strictly defined music genres. “What I have been doing most of my adult life,” he told the Christian Herald in 1986, “is waging stubborn battle for the freedom and liberty to experiment with different kinds of music for the glory of God.” He featured the new sound in several popular youth musicals and later established Light Records as a label for rising contemporary Christian artists. When he recorded his best-known song, “He’s Everything to Me,” featured on the Billy Graham World Wide Pictures production The Restless Ones, he brought two guitars, an electric bass, and drums into the studio and kicked off a firestorm of controversy.
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“She’s always dreamed of putting out her own songs, so I’m really excited for yall to hear her first ever song of her own!” “Vampire” in particular will also be known to many Kesha fans, as Kesha once recorded the song, and though it was never officially released, a bootleg version has been floating around the internet for years.Ralph Carmichael, a composer and record producer who shaped the sound of contemporary Christian music, died on October 18 at age 94.Ī violin prodigy with perfect pitch and a love for jazz chords, Carmichael built his reputation in Los Angeles TV and film studios before turning to Christian music and throwing open the doors for a new generation to use any and every style to sing about Jesus. Kesha - who’s regularly worked with her mom throughout her career - stoked anticipating for “Vampire” on Instagram earlier this week: “My mom has written music her whole life,” Kesha said. “Last year I found these tapes in a dusty box in my basement and Guy was nice enough to help me bring them back to life and it’s very fulfilling to finally release this.” “I felt like this song had died along with my career as a recording artist when my life fell off the tracks due to drug and alcohol abuse in the middle of recording my debut album, I grieved the loss of my recording career and this music I was so proud of,” Sebert said in a statement. Meet the Beatle: A Guide to Ringo Starr's Solo Career in 20 Songs
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